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THE REWRITE

 

You build your house just to knock it down and rebuild it again, bigger and better

You build your house just to knock it down and rebuild it again, bigger and better

You’ve finished your rough draft. It might be 20,000 words, it might be 50,000 words, it might have taken you four weeks, might have taken you months, it makes you want to lament the loss of your lifelong dream to become a writer because it’s awful. So far away from the sparkly, polished prose of your favourite authors; a primitive ancestor who shouldn’t see the light of day. No fear. Don’t bin it, don’t stuff it in a dusty drawer, almost every author who has ever existed has at some time been in the same situation. The difference: they rewrite.

‘Books aren’t written, they’re rewritten,’ said Micheal Crichton. Louis Sacher says he did not become a good writer until he learned how to rewrite (both these inspirational quotes about rewriting plus more can be found here: http://www.brainyquote.com). Be prepared to work, be prepared to bare your soul, be prepared to be baptised by fire. Be prepared for the rewrite. This is where you build your house, only to knock it down, just to rebuild it again. Sounds crazy? It is. And it isn’t.

I find that after completing the rough draft, I  have connected with my book. I expect to have the foundation of the story, a skeleton which now needs to be fleshed out. Think of the rewrite as putting the internal organs in place, the lungs, the liver, the heart particularly; the aim is to identify the heartbeat of your book, the rhythm of the narrative, the arcs and peaks of the developing plot lines: beginning, middle and end find their places in the sequence of things. At this stage I don’t worry too much about grammar and punctuation, vocabulary and technique, I try to get it right as much as I can during every draft, but it isn’t my main concern when I’m rewriting; more important to know what I want to say and find the best way to say it.

The rewrite is about fleshing out what has already been written, changing and improving along the way. I always begin by asking myself: What can I do to make the book better? I write a list, it will be different for each project because each book needs different things, but the basics are the same: conflict, jeopardy, character development, extra research, what needs to be removed, what needs to be changed and/or developed…Then I go through the list making the necessary adjustments. The purpose of this stage is to have a solid story foundation – is the pace right? Is the narrative engaging? Would I be better starting with Chapter 3 rather than Chapter 1? Should I cut out a particular character altogether because they aren’t bringing anything to the table? What is it I really want to say (or more likely, what is it my hero/bad guy really wants to say?). It’s a matter of sensing what needs to be strengthened, removed, altered, and having the motivation, determination and commitment to address the issues.

Check out this article by Matt Salesses for some great advice: http://necessaryfiction.com/writerinres/AMonthofRevision and remember, it may seem like a lot of unnecessary work, writing, rewriting, etc. But the more drafts you work on, the better your story will become. I know my writing will never be perfect, but it is something I am happy to put my name too, and that is surely the best outcome.

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