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Diary of a Mad Writer: Weeks 2 and 3: IT PAYS TO TAKE AFFIRMATIVE ACTION

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Working like a dog… never understood that. My dog doesn’t do much more than sleep or mooch about the house, although here she is checking out my sales stats. She isn’t impressed.

In an attempt to satisfy my grumpy border collie, I’ve had a busy two weeks. (She has been for a very long walk which has made her a little less grumpy, for the moment at least). As you can see above her picture, you can now subscribe to my newsletter. I’m busy writing a free book I can give away to new subscribers, a DI Jesse Rider novella. More work on top of an already busy schedule, but I’m not a mad writer for nothing. The more works-in-progress I have piling up, the happier I am.  I’m certainly not suffering from writer’s block which made me ponder whether writer’s block actually exists, or is it an easy excuse for (please don’t get mad) lazy writers?

Years ago I went through a phase when I considered myself to be an arid desert when it came to ideas. Nothing was growing. It was sand as far as you could see. Each oasis turned out to be a mirage and there were very few of those. In desperation I signed up to a writing course with The Writers Bureau. I didn’t actually complete the course, (I’m now an English graduate, always wanted to say that), but what I learned during my short time taking part gave my muse a kick up the arse. When I looked out at that rolling expanse of golden sand, I saw a small sapling. That sapling was my first Hunter Cade novel which has now grown into a mature tree and triggered new trees to grow. What I’m trying to say is, I thought I had writer’s block. I may well have had writer’s block, but by learning ways to force inspiration, I have never suffered with it since.

This is where the title for this post comes into it. It pays to take affirmative action. If you aren’t getting any ideas, find a way to make the ideas come to you: pick up a book in a genre you might not normally read; watch a great box set (you can’t go wrong with Hannibal); grab a sheet of paper and get started on a mind map or a cluster map, start with a single idea (and I sometimes use a novel I’ve enjoyed and feel inspired by, Gillian Flynn’s Gone Girl for example) and begin branching off topics until you have a premise you can work with. Take affirmative action. The floodgates will open and you may just find yourself inundated with book ideas.

That cluster map with Gone Girl in the center of it gave me three standalone romantic thrillers to work on, one of them I am actively writing as part of my Diary work. I have gone so far as to buy the 3 covers, very inexpensively. I use The Book Cover Designer (http://thebookcoverdesigner.com), especially bettibup33, and I have also used Melody Simmons pre-made covers (http://ebookindiecovers.com).

As well as hitting word count targets, I have been taking part in the Self-publishing Success Summit hosted by Chandler Bolt (http://selfpublishingsuccesssummit.com). With presentations from experts such as Joanna Penn and Daniel Decker, (http://www.thecreativepenn.com and http://www.danieldecker.net respectively), it has been a bottomless well of information. Okay, it does have a bottom, but I’m trying not to think about that because I’ve been having so much fun, knowing it’s going to come to an end is too much for me to cope with. I bought a book right before I signed up to the Summit from author Nick Stephenson (http://nickstephensonbooks.com). Supercharge your Kindle Sales:(http://www.amazon.co.uk/Supercharge-Your-Kindle-Sales-Strategies-ebook/dp/B00MMQN0VG) and was overwhelmed by the response I got by implementing just one of his strategy ideas. I was extremely excited to learn he was also going to be a guest speaker.

Finally, I  contacted a few blogs in the hopes I could take part in an author interview.  I was blown away to receive a response from Lisa Haselton (http://lisahaseltonsreviewsandinterviews.blogspot.co.uk). This is my first author interview, it should be up in August or maybe September. You should check out her existing author interviews because they’re great. I always find it fascinating to get inside the head of writers, to find out what makes them tick and what they’re working on now. Thank you Lisa for giving me this opportunity.

So you see, having a can-do attitude, and actually implementing it by getting out there and not being afraid to be rejected, has positive results. This has been a good two weeks for me, and I hope for you too. I’d love to hear what you’ve been up to  so leave a comment or email me. Or, if you really really want to, subscribe to my newsletter 🙂

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Filed under Book Promotion, Diary of a Mad Writer, Motivation, Novel Inspiration, The Business of Books, The Writing Process, Writing and family life

THE REWRITE

 

You build your house just to knock it down and rebuild it again, bigger and better

You build your house just to knock it down and rebuild it again, bigger and better

You’ve finished your rough draft. It might be 20,000 words, it might be 50,000 words, it might have taken you four weeks, might have taken you months, it makes you want to lament the loss of your lifelong dream to become a writer because it’s awful. So far away from the sparkly, polished prose of your favourite authors; a primitive ancestor who shouldn’t see the light of day. No fear. Don’t bin it, don’t stuff it in a dusty drawer, almost every author who has ever existed has at some time been in the same situation. The difference: they rewrite.

‘Books aren’t written, they’re rewritten,’ said Micheal Crichton. Louis Sacher says he did not become a good writer until he learned how to rewrite (both these inspirational quotes about rewriting plus more can be found here: http://www.brainyquote.com). Be prepared to work, be prepared to bare your soul, be prepared to be baptised by fire. Be prepared for the rewrite. This is where you build your house, only to knock it down, just to rebuild it again. Sounds crazy? It is. And it isn’t.

I find that after completing the rough draft, I  have connected with my book. I expect to have the foundation of the story, a skeleton which now needs to be fleshed out. Think of the rewrite as putting the internal organs in place, the lungs, the liver, the heart particularly; the aim is to identify the heartbeat of your book, the rhythm of the narrative, the arcs and peaks of the developing plot lines: beginning, middle and end find their places in the sequence of things. At this stage I don’t worry too much about grammar and punctuation, vocabulary and technique, I try to get it right as much as I can during every draft, but it isn’t my main concern when I’m rewriting; more important to know what I want to say and find the best way to say it.

The rewrite is about fleshing out what has already been written, changing and improving along the way. I always begin by asking myself: What can I do to make the book better? I write a list, it will be different for each project because each book needs different things, but the basics are the same: conflict, jeopardy, character development, extra research, what needs to be removed, what needs to be changed and/or developed…Then I go through the list making the necessary adjustments. The purpose of this stage is to have a solid story foundation – is the pace right? Is the narrative engaging? Would I be better starting with Chapter 3 rather than Chapter 1? Should I cut out a particular character altogether because they aren’t bringing anything to the table? What is it I really want to say (or more likely, what is it my hero/bad guy really wants to say?). It’s a matter of sensing what needs to be strengthened, removed, altered, and having the motivation, determination and commitment to address the issues.

Check out this article by Matt Salesses for some great advice: http://necessaryfiction.com/writerinres/AMonthofRevision and remember, it may seem like a lot of unnecessary work, writing, rewriting, etc. But the more drafts you work on, the better your story will become. I know my writing will never be perfect, but it is something I am happy to put my name too, and that is surely the best outcome.

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Filed under Art of Writing, The Writing Process